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_OXWITI-XIX CENTURY PAINTINGS 


English + Continental and 
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SCOTT & FOWLES 
COLLECTION 


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AMERICAN ART ASSOCIATION - INC 


«Madison Avenue: 56th to 57th Street 
NEW YORK 


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PRE Eee BUeLCe EX EI BL LON 


From Saturday, November 13 To Time of Sale 
Weekdays 9 a.m. to 6 p.m. 7 Sunday 2 to § p.m. 


UNRESTRICTED PUBLIC SALE 


Evening of November 19 


At Eight-fifteen O’clock 


Exhibition and Sale at the 


AMERICAN ART GALLERIES 


MADISON AVENUE: 56th TO 57¢h STREET 
NEW YORK CITY 


1926 


No. 105. THe Rr. Hon. RoBert BLAIR 
[By Sir Henry Raeburn | 


Peres is Ear CON I NENDAL & AMERICAN 


Paintings 


meee er Hoe Xv lel Xe lEX (CG ReNU OU RY 


Portraits by Sir William Beechey, Sir 
Peter Lely, Sir Godfrey Kueller, sir 
Foshua Reynolds, von Lenbach, Cfrancis 
(otes, George ‘Romney, Fobn Opie, Allan 
Ramsey, George H. Harlow, Sir Henry 
‘Raeburn and ‘Richard (osway and Examples 
of Inness, Daubigny, Degas, Harpignies 
Ziem, van Goyen, van —Marcke and Boltrafpo 


sales Conducted By Mr. O. Bernet &@ Mr. FH. FL. Parke 
PRU RTG AN ART) ASSOCIATION ~ INC, 
MANAGERS 


Priced (a talogues 


Priced copies of the catalogue, or any Session 
thereof, will be furnished by the Association at 
charges commensurate with the duties involved 
in copying the necessary information from the 


records of the Association. 


The AMERICAN ART ASSOCIATION : Inc 


Designs its Catalogues 
and Directs All Details of Illustration 
Text and Typography 


Conditions of Sale 


KT AP _» 


. REJECTION OF Brps. Any bid which is not commensurate with the value 
of the article offered, or which is merely a nominal or fractional advance, 
may be rejected by the auctioneer if in his judgment such bid would be 
likely to affect the sale injuriously. 

. THe Buyer. The highest bidder shall be the buyer, and if any dispute 
arises between two or more bidders, the auctioneer shall either decide the 
same or put up for re-sale the lot so in dispute. 

. IDENTIFICATION AND Deposit By Buyer. The name of the buyer of each 
lot shall be given immediately on the sale thereof, and when so required, 
each buyer shall sign a card giving the lot number, amount for which sold, 
and his or her name and address. QL A deposit at the actual time of the sale 
shall be made of all or such part of the purchase prices as may be required. 
Cl If the two foregoing conditions are not complied with, the lot or lots so 
purchased may at the option of the auctioneer be put up again and re-sold. 
. RisK AFTER Purcuase. ‘Title passes upon the fall of the auctioneer’s ham- 
mer, and thereafter the property is at the purchaser’s risk, and neither the 
consignor nor the Association is responsible for the loss of, or any damage 
to any article by theft, fire, breakage, however occasioned, or any other 
cause whatsoever. 

. Detivery oF Purcuases. Delivery of any purchases will be made only 
upon payment of the total amount due for all purchases at the sale. 

. RecereTep Brus. Goods will only be delivered on presentation of a re- 
ceipted bill. A receipted bill presented by any person will be recognized and 
honored as an order by the buyer, directing the delivery to the bearer of the 
goods described thereon. If a receipted bill is lost before delivery of the prop- 
erty has been taken, the buyer should immediately notify the Association of 
such loss. 

. SroracE In Derautt oF Prompr Payment AnD CaLLinc For Goons. 
Articles not paid for in full and not called for by the purchaser or agent by 
noon of the day following that of the sale may be turned over by the Associa- 
tion to some carter to be carried to and stored in some warehouse until the 
time of the delivery therefrom to the purchaser, and the cost of such cartage 
and storage and any other charges will be charged against the purchaser and 
the risk of loss or damage occasioned by such removal or storage will be upon 
the purchaser. CL, In any instance where the purchase bill has not been paid in 
full by noon of the day following that of the sale, the Association and the 
auctioneer reserve the right, any other stipulation in these conditions of sale 
notwithstanding, in respect to any or all lots included in the purchase bill, at 
its or his option, either to cancel the sale thereof or to re-sell the same at 
public or private sale without further notice for the account of the buyer 
and to hold the buyer responsible for any deficiency and all losses and 
expenses sustained in so doing. 

. Suippinc. Shipping, boxing or wrapping of purchases is a business in which 
the Association is in no wise engaged, but the Association will, however, 


10. 


Il. 


afford to purchasers every facility for employing at current and reasonable 
rates carriers and packers; doing so, however, without any assumption of 
responsibility on its part for the acts and charges of the parties engaged for 
such service. 

Guaranty. The Association exercises great care to catalogue every lot 
correctly and endeavors therein and also at the actual time of the sale to 
point out any error, defect or imperfection, but guaranty is not made either 
by the owner or the Association of the correctness of the description, genuine- 
ness, authenticity or condition of any lot and no sale will be set aside on 
account of any incorrectness, error of cataloguing or imperfection not noted 
or pointed out. Every lot is sold “as is” and without recourse. dl Every 
lot is on public exhibition one or more days prior to its sale, and the Associa- 
tion will give consideration to the opinion of any trustworthy expert to the 
effect that any lot has been incorrectly catalogued and in its judgment may 
thereafter sell the lot as catalogued or make mention of the opinion of such 
expert, who thereby will become responsible for such damage as might result 
were his opinion without foundation. 

Recorps. The records of the auctioneer and the Association are in all cases 
to be considered final and the highest bid shall in all cases be accepted by 
both buyer and seller as the value against which all claims for losses or 
damage shall lie. | 

Buyinc on Orper. - Buying or bidding by the Association for responsible 
parties on orders transmitted to it by mail, telegraph, or telephone, if con- 
ditions permit, will be faithfully attended to without charge of commission. 
Any purchases so made will be subject to the foregoing conditions of sale, 
except that, in the event of a purchase of a lot of one or more books by or 
for a purchaser who has not through himself or his agent been present at the 
exhibition or sale, the Association will permit such lot to be returned within 
ten days from the date of sale, and the purchase money will be refunded, 
:£ the lot differs from its catalogue description. Orders for execution 
by the Association should be given with such clearness as to leave no room for 
misunderstanding. Not only should the lot number be given, but also the 
title, and bids should be stated to be so much for the lot, and when the lot 
consists of one or more volumes of books or objects of art, the bid per 
volume or piece should also be stated. If the one transmitting the order is 
unknown to the Association, a deposit must be sent or reference submitted. 
Shipping directions should also be given. 


These conditions of sale cannot be altered except by the 
auctioneer or by an officer of the Association 


OTTO BERNET : HIRAM H. PARKE °- -4uctioneers 


AMERICAN ART ASSOCIATION - INC 
Managers 


Pies ee on 


CATALOGUE 


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FOREWORD 


Messrs. Scott and Fowles, 667 Fifth Avenue, on the expiration 

of their lease and the occasion of their moving to smaller tem- 
porary quarters at 680 Fifth Avenue, New York. Scott and Fowles, 
who have been established in New York for a quarter of a century, have 
maintained during this period a reputation for the quality of their 
paintings and the probity of their dealings which is familiar to every 
amateur of art; and the present paintings have been placed in the hands 
of the American Art Association for disposal at free and unrestricted 
public sale. 

This firm has been favorably known for its specialization in the 
works of the English school of the XVII and XVIII centuries, of which 
the present collection is in large part composed. Kneller is represented 
by five sitters, including the delightful Youth in a Blue Coat (No. 55) 
and Sir Peter Lely by no less than seven portraits, of which may bear 
mention a graceful three-quarter length of Queen Mary of Modena 
(No. 99). The XVIII century is also strongly represented by Reynolds, 
with portraits of Dr. Thomas Barnard (No. 58) and Anthony Chamier 
M.P. (No. 59), both recorded in Graves and Cronin’s work; Romney, 
with two portraits, including one of Robert Raikes, the philanthropist, 
from the collection of his grand-daughter; Northcote, Allan Ramsay 
(vide the charming Ladies of the Gage Family), Opie, Cotes, Harlow 
and Sir William Beechey, the last with the sterling portrait of the Misses 
Bannister. An important and vigorous Raeburn, Robert Blair of Avon- 
toun, illustrated as the frontispiece, deserves separate commendation, 
and a rare canvas by the miniaturist Richard Cosway (No. 66), is of 
exceptional interest in its freshness of treatment. 

The more interesting pictures of the foreign schools include one 
of the daughter of Peter Paul Rubens at the age of about five; an impor- 
tant decorative Weenix; a Degas pastel, a Daubigny, and a Van Marcke 
of the finest quality; and a striking portrait of his daughter by Frank 
von Lenbach. 

Two valuable primitives are the Madonna with Child of Giovanni 
Boltrafio, from the P. A. B. Widener collection, and a beautiful Gothic 
triptych of the Bruges school, strongly recalling Memling. 


a HE present important collection is placed on the market by 


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SALE AT THE -4MERICAN ART GALLERIES 


The Scott €# Fowles Collection 
NOVEMBER 19, 1926, at 8:15 P.M. 
eg Oy 
To save time and to prevent mistakes each purchaser will oblige the 


management by filling in this slip and handing it to the record clerk or 
sales attendant on making the first purchase. 


Purchaser’s Name 

eee gh 

Catalogue en ee ee 
Amount of Deposit_— — — —_—_——_—— 
AMERICAN ArT AssociATION ‘ [nc ‘Managers 


EVENING SALE 


Friday, November 19,1926 at 8.15 O'clock 
Catalogue Numbers I to 112 Inclusive 


JAMES HOLLAND 


BriTIisH: 1800—1870 


tr. VENICE 


At the right the baroque portal of a palace, at the water's edge, the 
green canal choked with shipping in the middle distance; behind, at the 
left, the houses on the opposite bank and the distant Campanile and 
dome of St. Mark’s under a sky slashed with green and white. 


Board: 12 inches square 


ERSKINE NICOL, A.R.A. 


SCOTTISH: 1825—I1904 


peo li ADDY /” 


The side of a moorland hill, a tiny mountain stream rushing down to 
the left. In the foreground a boy in brown coat and tam o’shanter, 
and plaid trews, holding a fishing-rod. 


Height, 11 inches; width, 8 inches 


ALFRED STEVENS 
BriTIsH: 1817—1875 


3. MOONLIGHT 


The seashore with a patch of gray sand diagonally across the fore- 
ground, the dark figures of two boats and a sailing vessel on the calm 
gray waters, which merge almost imperceptibly into a sky with a full 
moon and a streak of cloud at the zenith. 


Height, 161% inches; width, 9 inches 


ARMAND GUILLAUMIN 
FRENCH: 1841I— 
4. LANDSCAPE 


Looking down from a low knoll, the view is of brilliant green meadow 
crossed by a fence at the foot of a curtain of tall elms and birches; 
on the farther side the ground descends to the red roofs of a village 
and an open plain. The branches of the trees, taking on buds, are 
elaborately patterned in a network before a turquoise sky with clouds. 


Height, 21 inches; width, 18 inches 


Signed at lower right, A. GUILLAUMIN, and dated 1876 


ALFRED STEVENS 
BritisH: 1817—1875 


5. BEACH SCENE 


The foreground is of wet bright yellow sand at low tide, with figures 
of bathers in the shadows; a blue-green sea on which are brown sails 
and the steam of a tramp on the horizon contrasts in color with the 
pinks of a sky which becomes dark gray at the zenith. 


Panel: Height, 14 inches; width, 10 inches 


Signed at lower right, A. STEVENS 


HARRY B. LACHMAN 


AMERICAN: 1886— 


6. BOOKSTALLS ON THE QUAI, NEAR NOTRE DAME 


At the left on the wall of the guai the open cases of the booksellers; 
behind them, the road descends to the river level along a line of linden 
trees fronting the green water and the triple arch of the bridge. In 
the background the twin towers of Notre Dame emerge from a mass 
of greenery in a pale blue and white sky. 7 


Height, 20 inches; width, 24 inches 


Signed at lower right, Harry B. LAcHMAN, and dated 1919 


HARRY B. LACHMAN 


AMERICAN: 1886— 


Pao d DE LA TOURNELLE 


The wall of the quai runs diagonally across the left foreground and 1s 
patterned with gray-violet tree shadows; at its left end, a second-hand 
bookseller with his cases of wares. A group of three linden trees in 
spring leafage stands before the white triple arch of the bridge and 
the mass of green foliage about the lower buttresses of Notre Dame 
behind. 

Height, 26 inches; width, 32 inches 


Signed at lower right, Harry B, LACHMAN, and dated 1919 


MARIE DIETERLE 


FRENCH: 1r860— 
8. CATTLE AND LANDSCAPE 


View of flat meadowlands with patches of sparkling water; in the fore- 
ground a noble creature with head lifted to the breeze and to the right 
a black and white cow, shaded by massive willow-trees; before a blue 
sky flecked with cirrus clouds, tinged with violet. 


Height, 17 inches; length, 24 inches 


Signed at lower right, Martrt DiETERLE 


ROBERT CRANNELL MINOR, N.A. 


AMERICAN: 1840—I1904 
9. THE FISH-HAWK’S NEST 


A stretch of sandy shore and grass-covered slopes, scattered clumps 
of furze curving to form an arm of the sea in the left middle distance. 
In the foreground at the left is a shivering clump of three aspens and 
a slender blasted tree; high up, on one of the short dead branches, is 
perched the rudely constructed nest, defying the menace of storm that 
lies in the clouded sky. 


Millboard: Height, 16 inches; width, 20 inches 


Signed at lower right, MINOR 
Collection of Dr. George M. Minor 


GEORGE INNESS, N.A. 


AMERICAN: 1825—1894 


10. SUMMER SUNSHINE AND SHADOW 


A meadow pasture, brown and white cows browsing at the foot of tall 
groves of trees at left and right; in the centre two men cutting wood, at 
the left a wagoner with a load of hay. Through a gap in the trees 
a wooded landscape is visible and the pink clouds of the evening 
light. Across the foreground lies a belt of deep shadow. 

Height, 12% inches; width, 18% inches 


Signed at lower left, INNESS, and dated 1867 
Collection of Henry Ward Beecher, who obtained it direct from the artist 
Collection of Alexander R. Peacock, Esq. 


“ASTON KNIGHT 


AMERICAN: 1873— 


11. SUNSET AT INDIAN NECK, CONNECTICUT 


The wild grasses of the foreground are divided by a path and are in 
the shade of trees at left and right, the latter forming an open lace- 
work for the greens-and browns of the sky. A broad river and a 
mass of foliage on the farther side receive the warm brownish tones 
of the evening light. 


Height, 33 inches; width, 45 inches 


Signed at lower right, ASTON KNIGHT, Paris 


ASTON KNIGHT 


AMERICAN: 1873— 


12. LANDSCAPE WITH FLOWERING [Rees 


In the left foreground a fruit tree with a mass of pink and white blos- 
som leans among the reeds over the water of a brook curving into the 
left middle distance; at the right, a pink hawthorn in full blossom. 
The meadow of the middle distance with trees and cottages, rises 
gently behind in a grassy hillside. 


Height, 45 inches; width, 33 inches 


Signed at lower left, ASTON KNIGHT, Paris 


WILLIAM SARTAIN, A.N-A. 


AMERICAN: 1843—1924 


13. AN ALGERIAN SCHOOL 


Stone interior with pillars supporting Moresque arches. On the floor 
is seated a group of boys in brightly-colored dress and fez, two stand- 
ing at the left and one leaning against a pillar at the right, in the 
presence of a school master in black burnous and white turban, behind 


them. 
: . Height, 26 inches; width, 36 inches 


Signed at lower right, W. SARTAIN A) fee rcs 


[Illustrated | 


ERNEST LAWSON, N.A. 


AMERICAN: 1873— 


14. RIVER LANDSCAPE 


The near shore, with a riot of color on the ground, is fringed by a 
swaying line of saplings shaking their few leaves and curtaining the 
wide river behind, in which a solitary boat is floating at the right. 
On the farther side the country rises in green hills interspersed with 
woodland, the red and white of cottages catching the sunlight. 


Panel: Height, 25 inches; width, 30 inches 


“ 


Signed at lower left, E. LAWSON re 


[Illustrated | 


GEORGE H. BOUGHTON, R.A. 


AMERICAN: 1834—I905 


Pee INTER IN BRABANT, HOLLAND 


Across the background, stretching diagonally away into the distance 
at the right, are the walls, roofs and pointed towers of the seventeenth 
century town; at the right a windmill. Across the broad expanse of 
snow and ice a group of citizens on skates are moving, one pushing 
before him a sledge. On a low ramp in the extreme foreground a kneel- 
ing cavalier is fastening on the skates of a lady, a young girl standing 
at his right shoulder with her hands thrust into a mutt. 


Height, 37% inches; width, 60% inches 


Signed at lower right, G, H. BoUGHTON 


RICHARD HILDER 


BRITISH: 1813—1852 
16. LANDSCAPE WITH A FISHERMAN 


At the right, the hummocks of scanty grass are interspersed with the 
masses of oak trees, enclosing an old thatched cottage in the middle 
distance; in the foreground are three figures of children, one that of 
a boy in a rude cap fishing in the waters of the curving brown stream at 
the left. The sky is gray and overcast with clouds. 


Height, 15% inches; width, 21 inches 


FREDERICK SANDYS 


BRITISH: 1832—1904 
17. LADY HOLDING A ROSE 


Waist-length figure of a young girl with long curling auburn hair and 
a slashed scarlet and white dress, her arms crossed before her to her 
breast and a white rose in her right hand. Behind her head at the 
right a flowering honeysuckle; in the left middle distance trees and 
castellated buildings. 

Height, 18 inches; width, 14 inches 


J. H. WEISSENBRUCH 


DutcH: 1824—1903 


18. ZEELAND COAST 


Sea and coast are merged in an undulating grayish-green mass, domi- 
nated by a fishing boat in the foreground with half-furled sails shaped 
like an arrow pointing upwards. A mass of sunlit cloud at the left 


is opposed by a huge dark gray cloud next it. 
Height, 1234 inches; width, 19 inches 


[Illustrated | 


FREDERICK SANDYS 


BRITISH: 1832—1904 


19. ISOLDE 


Bust-length figure in a blue robe, with corals about the neck, the hands 
holding flowers and a golden cup; the fine head, with its weight of 
black hair, is turned to half-left and modeled before a tapestry of wild 
flowers in blues, greens and pinks. A portrait of great strength and 
character, the passionate realism of the head contrasting with the for- 
mal pre-Raphaelite attributes which surround it. 


Height, 18 inches; width, 1334 inches 
Royal Academy Exhibition, 1863 


THOMAS FAED, R.A. 


BRITISH: 1826-—I900 


20. PORTRAIT OF A YOUNG LADY IN A WHITE ROBE 


Three-quarter length seated figure facing the observer, clad in a brown 
bodice and green skirt over which is a loose white dressing robe. ‘The 
head is bent, resting on the right hand, the black hair brushed away 
from the forehead and surmounted by a white lace cap. Olive-green 


background, 
Panel; Height, 15 inches; width, 13 inches 


THEOPHILE DE BOCK 


DutcH: 1850—1904 


CeO LIDE 


In the foreground the water is strewn with floating weed, the grassy 
bank ending in reeds at the right; behind, a knoll at the left and an 
undulating band of trees on the sky line silhouetted in browns, grays 
and blacks by a grayish-white sky. 

Height, 10 inches; width, 19 inches 


Signed at lower right, TH. DE Bock 
Collection of Mrs. Charles L. Atterbury 


FELIX ZIEM 


FRENCH: 182I—I9QI1 


22. GRAND CANAL, VENICE 


Evening on the water, a yellow sunset thrusting pale lights on to the 
quiet surface. A gondola filled with passengers is making across 
towards the right, where two triangular lateen-sails stand before the 
brown mass of houses topped by a dome and the graceful brown finger 
of the Campanile. | | 


Panel: Height, 14 inches; width, 21 inches 


Signed at lower right, Z1EM 


[Illustrated | 


LOUIS EUGENE BOUDIN 
FRENCH: 1824—1898 


23. LA COTE DE CAMARET, NEAR BREST 


The brown rocky land of the right foreground curves inwards, stretch- 
ing across the middle distance in a low rugged promontory; behind 
is a second bay and curve of the coast disputing the horizon. Looking 
down on the brilliant blue of the water from a height, the scattered 
sails of the fishing fleet are visible under a June sky. 


Height, 2114 inches; width, 35) inches 


Signed at lower right, E. Boupin, and dated Camaret, 1872 


[Illustrated | 


HENRI JOSEPH HARPIGNIES 


FRENCH: 1819—1916 


24. RIVER SCENE 


In the foreground a waste of sand, pebbles and scattered jetsam. On 
the broad blue water of the river is a solitary barge; in the distance 
the hither shores are dotted with trees. 


Height, 12 inches; width, 17 inches 
Signed at lower left, H. HArpicNtigs, and dated 1892 


[Illustrated | 


HAROLD SPEED 


BritisH: 1872— 


meen wun NT PLAGE 


A chasm formed of square masses of broken purplish granite rock inter- 
spersed with bushy green shrubs; in a pale sky is the full moon. At 
the foot of the cliff are white hares. 


Height, 25% inches; width, 20% inches 


Signed at lower right, H. SPEED 
Present Day British Art Exhibition, London, 1925 


R. WEATHERBY 


BRITISH : CONTEMPORARY 


26. CAPRI PEASANT GIRL 


A luminarist picture of a woman in a violet dress and white shawl, 
painted with arms akimbo at waist-length facing the spectator, with 
a brilliant background of trees and a grassy hillside in the powerful 
sunshine. 

Height, 24 inches; width, 20 inches 


Signed on back, R. WEATHERBY, and dated 1924 
Present Day British Art Exhibition, London, 1925 


CHARLES FRANCOIS DAUBIGNY 
FRENCH: 1819—1878 


27. SAND DUNES 


Flat country from foreground to horizon with the dark olive-green 
of the grass broken by undulating patches of yellowish drifting sand; 
in a hollow at the left, figures. A light windy sky is swept almost bare 


of clouds. 
Height, 21 inches; width, 25 inches 


Signed at lower left, DAUBIGNY 

Autograph authentication on back of the canvas: “Ce tableau est de mon pere,” 
signed, KARL DAUBIGNY 

Collection of the painter, William Mesdag 


PAUL JEAN CLAYS 


DutTcH: 1819—1900 


28. BARGES ON THE SCHELDT 


On the calm gray-green water are two large white sailing barges, one 
moored in the right foreground; in the distance at the left further scat- 
tered vessels beneath a blue sky lightening towards the horizon. A 
cool painting of delicate color modulation and great deftness. 


Panel: Height, 1734 inches; width, 22 inches 
Signed at lower right, P. J. Cuays, and dated 1871 


[Illustrated | 


LOUIS EUGENE BOUDIN 
FRENCH: 1824—1898 
29. HARBOR SCENE, NORMANDY 


Gray sky and water, and scattered fishing vessels; at the right a wharf 
by which is moored a tramp steamer. In the distance is a Jetty. 


Panel: Height, 10% inches; width, 1334 inches 


Signed at lower right, E. Boupin, and dated 1888 


CHARLES CONDER 
BritisH: 1868—1909 
BomeaLGH TON 


The gray Marine Parade in windy weather, with pedestrians—men, 
women and children—seen as scattered figures dwarfed by the expanse 
of the blue-green sea in the background. At the left are sailing vessels. 


Height, 25 inches; width, 30 inches 


Signed at lower left, CoNDER, and dated Brighton, 1905 


FRITS THAULOW 


NorwWEGIAN: 1847—1906 


31, JEINTER 


A farmhouse at the right with pink walls, latticed windows and red 
roof, is almost buried under the weight of snow; through the deep drifts 
in front of the house two peasants are making their way, leading home- 
wards horses drawing sledges. In the left foreground is a plow, 


half-covered by snow. 
Height, 21 inches; width, 33 inches 


Signed at lower left, Frits ‘(T-HAULOW 


[Illustrated | 


MAURICE UTRILLO 


FRENCH: CONTEMPORARY 


32. STREET SCENE UNDER SNOW, PARIS 


In a Parisian suburb, the spectator is looking along a street down to 
which two others descend from the left, houses and bare trees set 
quaintly together on the hill and figures of pedestrians visible on the 
cobbled paths. At left and right in the extreme foreground, shop build- 
ings. The roads and pavements are partly covered with snow, the 
houses touched with points of green, blue and red in the shutters and 
chimneys, making a gay pattern. 


Height, 24 inches; width, 32 inches 


Signed at lower right, MAurRicE UTRILLO V 


No. 31. WINTER 
[By Frits Thaulow | 


CHARLES FRANCOIS DAUBIGNY 
FRENCH: 1817—1878 


33. THE HARBOR 


The calm blue water of the Channel in summer, dotted with fishing ves- 
sels, emerging into the low, gray line of the coast in the distance at the 
right. In the foreground, on the yellow sand of the seashore, is a 
dignified procession, composed of a dog followed by a lady in red and 
black carrying a sunshade, strolling by the water’s edge. 


Height, 20 inches; width, 32 inches 


Signed at lower right, DAUBIGNY, and dated 1874 


— [Illustrated | 


3 


Peale DVI 


BriTISH : CONTEMPORARY 


34. SHIPS DRYING THEIR SAILS 


Brown shore, gray water of an inlet and chalk-white sky, shaped by the 
bare outlines of the coast at left and right. In the right foreground 
two fishing vessels are silhouetted, with their drooping sails, in the 
morning light. 

Height, 28 inches; width, 36 inches 
Signed at lower left, PADWICK 
Present Day British Art Exhibition, London, 1925 


ETIENNE DINET 


Frencuw: XIX CENTURY 


35. ARAB WOMEN AND CHILDREN 


At left and right in the background sandy hills descend into a gorge 
filled with brilliant green palms. Over the sand of the foreground is 
making its way to the right a procession, composed of two native 
women wrapped in white robes, preceded by a boy and a girl and fol- 
lowed by an old woman attendant. 


Height, 2534 inches; width, 39% inches 


Signed at lower right, E. DINET 


FRANZ VON LENBACH 
GERMAN: 1836—1904 


36. MARIANNE, DAUGHTER OF THE ARTIST 


A striking portrait of a child of about six years, painted at three- 
quarter length seated and facing the observer. She is dressed in a 
white frock with black velvet sash and her long straw-yellow hair falls 
from under a large hat trimmed with feathers. A pair of enormous 
blue eyes dominates the whole portrait. Variable brownish background 
with blues at the right. 

Height, 3234 inches; width, 29% inches 


Signed at the left, F. LENBACH, and dated 1897 


[Illustrated | 


No. 36. Marianne, DAUGHTER OF THE ARTIST 
[By 


“ranz von Lenbach | 


MARIANO FORTUNY 
SPANISH: 1838—1874 


37. ENVIRONS DE TANGERS 


A wide stretch of desolate country, marsh and winding stream inter- 
mingled with the fallen trunks of dead trees; in the right foreground 
a species of rude tent encampment. In the centre of the middle dis- 
tance, a low square blockhouse fronting the open gray water at the 
left. The sky is yellowish-gray and overcast inland. 


Height, 26% inches; width, 60 inches 


Stamped at lower right with the seal of the Vente Fortuny 


ALEXIS VOLLON 
FRENCH: XIX CENTURY 
ld e he, SPINNING WHEEL 


Interior, before a wooden doorway. A peasant woman in black bodice 
and curiously-shaped cap, red skirt and brown apron is seated facing 
half-right at a spinning wheel, her head bent down and turned towards 
her right shoulder. 


Height, 42 inches; width, 35 inches 


Signed at lower right, ALEXIS VOLLON 


HENRI G. MARTIN 


FRENCH: 1860— 


39. THE BRIDGE, ST. MEDARD 


Pointillé design in brilliant colors. The two stone arches of the bridge 
in purplish-gray cross the river which runs away into the left fore- 
ground; the near bank is of grass in the sunshine, while behind the 
bridge are tree masses and an ultramarine and white sky. 


Height, 26 inches; width, 40 inches 


Signed at lower right, HENR1 Martin 


[Lllustrated | 


EMILE VAN MARCKE 


FRENCH: 1827—1890 


40. LANDSCAPE WITH CATTLE 


A greenery of trees at the left, massed firmly against the strong white 
clouds of the sky, darkening in the right middle distance above the 
fragile scattered saplings marking the line of the road. In the fore- 
eround the grassy pasture and a pool almost hidden by the bodies of 
brown, dun and white cattle grouped about it, their herdsman in blue 
mounted on a gray horse at the left. The principal figure of the fore- 
cround is that of a white cow, its head turned towards the spectator 
over the shoulder of a black and white calf. 


Height, 35% inches; width, 47/2 inches 


Signed at lower right, EM. VAN MarCKE 


[Illustrated | 


. No. 40. LANDSCAPE WITH CATTLE 
[By Emile van Marcke] 


EDGAR DEGAS 
FRENCH: 1834—I917 


41. DANCERS AT THE BAK 


Before a brilliantly-colored background of stage scenery, the contorted 
bodies of five dancers, two at the left and four grouped together at 
the right with spangled skirts of bluish-green, forming with their arms 
moving harmonic patterns against the drop. 


Pastel: Height, 30 inches; width, 42 inches 


Signed at lower left, DEGAS 
Collection of the artist, and purchased at the artist's sale 


[Illustrated | 


No. 41. DANCERS AT THE Bar 
[By Edgar Degas | 


HARRY HALL 


BritisH: XIX CENTURY 


420 LEE TEL TIN Ge Cr ais 


Brown colt, in profile to the left, a jockey up in blue plaid coat with 
yellow sleeves and cap; prospect of open rolling grass country with 
trees and two horsemen in the left middle distance. 


Height, 28 inches; width, 36 inches 


Signed at lower right, Harry HALL, and dated Newmarket, 1849 
Collection of the Earl of Eglinton 


Note: “The Flying Dutchman” was a brown colt bred by H. Vansittart, Esq., in 1848 
and sold to The Earl of Eglinton. By Bay Middleton out of Barbelle by Sandbeck. Record: 
1849—Won the Derby at Epsom, Marlow up, purse £6425; 1849—Won the Great St. Leger 
at Doncaster; 1849—Won Match Race, 1000 Sovereigns, Newmarket; 1849—Won Belvoir 
Stakes, Newmarket; 18507—-Won Emperor of Russia Plate, Ascot; 1851—Won Match Race, 
tooo Sovereigns, York; sold for £4000 in 1858 and sent to France. 


[Illustrated | 


WILLIAM SHAW 
BritisH: XVIII Century 


Agee Ceres S| 1757.] 


Chestnut mare in profile to the left held by a groom, a second bringing 
forage. Background of open sky and country, with the end of a stable 
at the left. 


Height, 40 inches; width, 50 inches 
Signed at lower left, WM. SHAW, and dated 1757 


Note: The above and No. 44 are two of the earliest pictures of thoroughbreds known. 
“Dutchess” was the ancestress of a long line of distinguished blood stock represented 
on the English and American turf at the present day. 


WILLIAM SHAW 
BrarrisH: XVIII Century 


44. MATCHEM [1757] 


Chestnut horse in profile to the left with a jockey up in yellow and 
black cap. At the left, two figures of onlookers. In the middle dis- 
tance a practice course with two thoroughbreds in full gallop. 


Height, 40 inches; width, 50 inches 


Note: The above and No. 43 are two of the earliest pictures of thoroughbreds known. 
“Matchem” was the ancestor of a long line of distinguished blood stock represented on 
the English and American turf at the present day. The race in the background represents 
a match at Newmarket, April 25, 1756, between “Matchem,” owned by Mr. Fenwick, and 
Mr. Bowles’ “Trajan” in The Whip, won by “Matchem”; following which Mr. Fenwick 
offered to race any horse in England. Record of “Matchem”: 1753—Four Miles—York— 
won, Three Miles—Morpeth—won; 1754—Ladies Purse—4 miles—York—won, Received 
premium not to start in Great Subscription Purse, York, Ladies Purse—4 miles—Lincoln— 
won; 1755—Newmarket—won a race beating “Trajan,” Mr. Bowles owner, who was thought 
by some to be the better horse, so Mr. Fenwick offered to race any horse in England in 
The Whip to be run in the spring of 1756, Mr. Bowles accepting. Received premium not 
to start in Great Subscription Purse, York; 1756—April 25—The Whip, Newmarket—Match 
race between “Matchem” and “Trajan,” won by “Matchem.” Mr. Fenwick again offered 
to race any horse in England. May 13—Four miles, Newmarket, beaten by Spectator; 1757— 
Did not run; 1758—Match Race—Lost, but won when repeated. 


GIOVANNI ANTONIO BOLTRAFFIO 


ITALIAN: 1467—I516 
45. MADONNA AND CHILD 


The Virgin seated, painted at three-quarter length facing half-left and 
clad in a red robe with green cloak. On her lap in her right arm the 
nude Child nursing at her breast and holding in His left hand a bird. 

| Height, 17 inches; width, 13% inches 


Note: “A typical work by this meticulous amateur, conveying a pleasant echo of Leo- 
nardo’s art.’—Bernard Berenson. 


Collection of P. A. B. Widener, Esq., Lynnewood Hall, Elkins Park: Pa. 


[Zllustrated | 


No. 45. Maponna AND CHILD 
[By Boltraffio | 


BRUGES SCHOOL 
LaTE XV CENTURY 


46. MADONNA, CHILD AND SAINTS 


The central panel depicts St. Anne enthroned, reading from a missal 
resting on her lap; she is flanked on one side by St. Joseph of Arith- 
mathea; before her the youthful Virgin with long curling hair is seated 
holding the Child on her lap; to left and right of her in the near fore- 
ground are two coroneted saints, the two Marys. All wear rich red 
robes; the saints and canopy of throne of Gothic velvet. ‘The left 
wing depicts the donor kneeling before his patron saint, who stands 
nearby in a bishop’s robes. The right wing depicts the donor’s wife 
_ before a patron saint who is about to place a crown on her head. The 
exterior of the two wings beautifully painted in monochrome gray with 
subject THE ANNUNCIATION, both figures being clad in exceptionally 
fine voluminous robes of many folds; above is the descending dove 
and banderole bearing lengthy inscription. a 
Arched triptych: Height, 30 inches; width (closed), 23 inches 
Note: Professor Hoffner referring to this painting says: ‘““Ioo good to be all Flemish, 
probably under French influence.” De Riche says of it: “Executed in Atlea from other 


models. The interior of leaves from Memling; the exterior after Roger Van Der Weyden. 
A very analogous Annunciation is in the Morgan Collection at the Metropolitan Museum.” 


[Illustrated | 


ARTHUR JAMES STARK 
BRITISH: 1794—1859 
47. WILD DUCKS 


A wide grassy plain to the left, reeds and sedge fringing a pool in 
the foreground from which a bird has started up. The heavens are 
filled with black clouds, lightening at the left where a V-shaped covey 
of ducks is on the wing. 


Board: Height, 11 inches; length, 14 inches 


Signed at lower right, ARTHUR J. STARK 


No. 46. Maponna, CHILD AND SAINTS 
[Bruges School: Late XV Century | 


ROBERT TONGE 
BritisH: XVIII Century 


481 OPAL ES ONG TEE ey baie el Forays, 
AT LEIXLIP, NEARSD Gis 


A salmon-leap on the narrow rushing river, the fall seen as a curtain 
of white spume across the middle distance with russet trees behind 
and at the left. Under their lee at the left, a solitary fisherman. 


Board: Height, 13 inches; length, 20 inches 


Walker Art Gallery Exhibition, Liverpool, 1908 
Collection of Ralph Brocklebank, Esq. 


SIR PE PER VEE EBY 


FLEMISH: 1618—1680 
49. NELL GWYNNE 


Miniature of great beauty and some rarity, being a three-quarter length 
in a finely conceived landscape setting with a prospect of country under 
a clouded sky and trees at left and right. The sitter, in a flowing gray 
and golden-yellow satin dress with a white bodice, is seated in an easy 
posture on the ground, supported on her left hand, the right arm point- 
ing across the body. The bosom and face are carefully and sympa- 
thetically painted, the gray eyes looking out with child-like wonder 
from a face of rustic beauty. 


Height, 18 inches; width, 16 inches 


JAMES A. O’CONNOR 
IRISH: 1793—1844 


50. LANDSCAPE 


Undulating grass country with oak trees scattered in groups on the 
knolls, two in the right foreground. Along a winding path descending 
from the right middle distance are scattered figures of countryfolk. 
The tree forms are carefully patterned against a light sky of gray 
and yellow. 


Height, 18 inches; length, 24 inches 
Signed at lower left, J. A. O’Connor, and dated. 1826 


JAN VAN GOYEN 
DutcH: 1596—1656 


Poe ast LE BY A RIVER 


At the right, brown buildings and trees and the twin rounded bastions, 
with turrets, of a castle. On the river which washes the foot are fisher- 
men in sailing boats, moored at the entrance to sell their wares. In 


the distance at the left, flat marshy country. 


Height, 15 inches; width, 21 inches 


[Illustrated | 


SIR GODFREY KNELLER 


| BriITISH: 1646—1723 
Isis MONE eG GHEIL OF A. YOUTH IN AZ BLUEACOA® 


Meticulous half-length, facing the spectator, of a boy wearing a blue 
velvet coat, a white trailing jabot and waistcoat and cuffs of flowered 
brocade, painted in elaborate detail, with great care for the play of 
light on the textile surfaces; the right hand is thrust loosely into the 
waistcoat. The face is fresh complexioned, with blue eyes and petulant 
lips, and dignified by a full curly white wig. Dark background set with 
an oval. 

Height, 30 inches; width, 25 inches 


[Illustrated | 


DANIEL TURNER 
British: XVIII Century 


56. WESTMINSTER BRIDGE 


On the choppy gray waters of the Thames are scattered boats with 
fishermen; the old stone bridge stretches athwart the scene towards 
the shore at the right, a cluster of low houses dominated by the roofs 
and square towers of the Abbey behind. 


Height, 18 inches; length, 24 inches 


Signed at lower left, Dan. TURNER, and dated 1802 


DANIEL TURNER 
BritisH: XVIII Century 


57. VIEW OF WESTMINSTER, FROM THE 
ARCHBISHOP’S WALK, LAMBETH 


The farther shore faces the observer, with its orderly line of trees and 
old house topped by the transept roof and twin towers of the Abbey; 
at the right, old Westminster Bridge. On the green waters boats are 
plying, and a four-oared state barge. 


Height, 24 inches; length, 39% inches 


Royal Academy Exhibition, 1801 


SIR JOSHUA REYNOLDS, P.R.A. 


BRITISH: 1723—1792 


<8. DR. THOMAS BARNARD, L.L.D., FRS:, 
BISHOP OF KILLALOE 


Head and shoulders portrait, facing half-right, of a divine in a brown 
coat over a black clerical waistcoat. The face is full and white, the 
nose straight, the eyes brown and intelligent; the whole fully lighted 
against a background of pale blue sky. 


Height, 24 inches; width, 20 inches 


Recorded in Graves && Cronin’s “History of the Works of Sir Joshua Reynolds, 
P.R.A.;” Vol. 1, and Vol. 4.—Armstrong’s “Sir Joshua Reynolds,” p. 192.— 
Wm. Cotton’s “Reynolds,” page 5.—Wm. Cotton's “Sir Joshua Reynolds 
notes on pictures, etc.’ ed. by Wm. Cotton, p. 81.—John Sime’s “Reynolds.” 
—Leslie &* Taylor’s “Life and Time of Sir Joshua Reynolds,’ Vol. II, pages 
49, 64, 65, 66, 72, 73, 207, 622, 623, 624 

Collection of Lord Waterpark 


[Illustrated | | 


No. 58. Dr. THomaAs BARNARD 
[By Sir Joshua Reynolds | 


SIR JOSHUA REYNOLDS, P.R.A. 
BriTISH: 1723—1792 


59. ANTHONY CHAMIER, M_P., F.RS. 


Before a window at the left is a table covered with writing materials 
and an Oriental rug. Seated at it, in full profile to the left, the head 
turned towards the observer, is a gentleman in a maroon coat and knee 
breeches and gray stockings, his right hand resting on a news-sheet. 


Height, 24 inches; width, 18 inches 


Note: Chamier, Anthony [1725-1780] friend of Dr. Samuel Johnson; born in London 
of French extraction; government official; deputy Secretary of State. 1775; M.P. for Tam- 
worth, 1778. [Dictionary of National Biography.] 

Recorded in Graves &% Cronin’s “History of the Works of Sir Joshua Reynolds,” 
page 879 under “Shamee” 

Collection of John Rich, Esq. 

Collection of George Richmond, Esq. 


[Illustrated | 


I } 4 
f ¥- Pa DP} wn 


No. 59. ANTHONY CHAMIER 
| By Sir Joshua Reynolds | 


J. A. BACKER 
DutcH: 1608—1651 


60. PORTRAIT OF A LADY 


Before a red drapery at the right, the half-length figure of a fair-haired 
lady, with flowers in her hair, dressed in beige satin with loose sleeves 
and black chiffon about the shoulders. The right hand supports the 
fold of the dress, the left is carried up to the head. About the neck 
a string of pearls. 

Height, 30 inches; width, 24% inches 


Signed at lower right with monogram A.B. 


[Illustrated | 


No. 60. PorRTRAIT OF A Lapy 
[By J. A. Backer | 


SIR GODFREY KNELLER 
BRITISH: 1646—1723 


61: 4 LADY. OFTHE CLITHEROMW  FAMITG 


A lady in the thirties, painted at half-length facing the spectator, within 
a semi-oval. The dress is of greenish-blue edged with white, a red cloak 
falling gracefully away from the left shoulder; the right hand is Carried 
up to the breast. A full youthful face is distinguished by gray eyes and 
pursed lips. Neutral even gray background. 


Height, 30 inches; width, 25 inches 


Collection of the Clitherow Family at Boston House, Brentford, Middlesex 
England , 


J. B. WEENIX 


DutcH: 1621—1660 


62. CLASSIC RUINS [1651] 


In the foreground at the left a sarcophagus at the foot of a wall, two 
classic columns supporting a rounded entablature and silhouetted against 
an ultramarine sky. In the distance at the right a rocky coast with an 
arbor and fishing vessels. Among the ruins in the foreground are figures 
‘of men and boys and a dog, a soldier with red breeches occupied in 
reading the epitaph on the tomb. 


Height, 31 inches; width, 26 inches 


Signed at the left, Gio. Barta. WEENIX, fc., and dated 1051 
Recorded: Bryan’s Dictionary of Painters and Engravers: “In the Duke of Suther- 
land’s gallery there is a landscape by J. B. Weenix, in which there is a tomb 
inscribed with the famous epitaph: 
Translation— Here lies the father, here lies the mother, 
Here lies the sister, here lies the brother, 
Here lies the wife, and the husband, 
And there are only two bodies here. 


Collection of the Duke of Sutherland, K.G. \{ }\A te t3 ( £0) 


jd 


[Illustrated | 


No. 62. Criasstc Ruins [1651] 
[By J. B. Weenix] 


DAVID MARTIN 


SCOTTISH : 1730—1785 


63. MRS. JOHN CLARK 


Before a light-colored wall, the waist-length figure of a lady with dark 
brown ringlets, brown eyes and scarlet mouth, clad in a white muslin 
dress with frilled yoke and brown sash; the left forearm rests on a 
red velvet cushion. 

Height, 30 inches; width, 25 inches 


Signed at lower right, Martin, P.W.P. Pinxt, 1786 (?) 


BARKER OF BATH 
BRITISH: 1769—1844 
64. LANDSCAPE, NEW PORT 


A small grass clearing in which are two cows and a man, and a mule 
at the left, surrounded by thick masses of russet foliage, with elms 
towering into the black sky in the right foreground. In the distance 
at the left, sunlit clouds overhanging open country. 


Height, 25 inches; width, 29% inches 


THOMAS sGEly 
AMERICAN: 1783—1872 
65. MISS VIOLET THORNTON 


Before a warm-toned brown drapery, with a glimpse of landscape 
at the left, is the half-length profile figure of a young girl in loose 
white muslin dress, facing the left, the head gracefully poised on a 
slender neck and inclined to half-left. The hands are clasped in the 
lap, one holding a book, the waist girdled with a blue ribbon. 


Height, 30 inches; width, 25 inches 


[Illustrated | 


No. 65. Miss VioLtet THORNTON 
[By Thomas Sully ] 


RICHARD COSWAY, R.A. 


BRITISH: 1742—1821 


66. MRS. HUSSEY, NEE JENNINGS 


Within an oval, the slight half-length figure of a young girl in a high- 
waisted white muslin dress. The face is distinguished by large brown 
eyes, the coloring of which is repeated in the curly hair flowing over 
either shoulder. Background of landscape and light sky. At the upper 
left is the escutcheon of the sitter. 


Height, 30 inches; width, 25 inches 


Signed at lower right with initials, R.C. 


[Illustrated | 


THOMAS BARDWELL 


BRITISH: 1720—1780 
67. PORT RAL (One ARTIST’S DAUGHTER [1757] 


The subject is clad in white satin, edged with lace, a blue drapery flung 
over the right shoulder and rows of blue and white braid hung with 
pearls about the neck; posed at waist-length facing half-left against a 
brownish background, lightening behind the head. The auburn hair 
is decked with a lace cap and an ornament of blue ribbon. 


Height, 30 inches; width, 25 inches 


Signed at lower left, BARDWELL, f., and dated 1757 


No. 66. Mrs. Hussty, NEE JENNINGS 
[By Richard Cosway | 


FRANCIS COLES MRE 3 


BRITISH: 1726—1770 


68. MISS SUMMERVILLE 


Portrait at half-length of a lady with graying hair plaited and dressed 
high above the forehead; clad in a sky-blue dress with a wrap of yellow 
silk edged with gold, falling over the shoulders and clasped with two 
ruby cabochons. The purity of the coloring is enhanced by a neutral 
gray background, lightening behind the head. 


Height, 30 inches; width, 25 inches 


Recorded in Century of Loan Exhibitions—Birmingham Loan Ex. 1903, No. 42.— 
Special Loan Collection, Birmingham Art Gallery, Exhibition, 1903 
Collection of Lockett Agnew, Esq. 


[Illustrated | 


GEORGE ROMNEY 


BRITISH: 1734—1802 


69. ROBERT RAIKES, ESQ. 


Half-length, in deep greenish black velvet coat and white stock, facing 
half-left, before a red background; a full florid face with retroussé 
nose and gray eyes is set off by a white wig. 


; Height, 30 inches; width, 25 inches 
Collection of Lady Gertrude Thompson, granddaughter of Robert Raikes 
Note: Robert Raikes, Esq., was a distinguished philanthropist and founder of Sunday 


Schools; born September 14, 1735; eldest son of Robert Raikes, founder and proprietor of 
the Gloucester Journal, died suddenly at Gloucester, April 5, 1811. 


[Illustrated | 


SIR’ JOSHUA REYNOLDS, Pi Rew 


BRITISH: 1723—1792 


70. PORTRAIT OF THE ARTIST IN SPECTACLES 


A rendering of soft brilliance and powerful execution. Before a fluc- 
tuating brown background the figure of the artist is seen at half-length, 
in brown coat and white stock, facing half-right, as in a mirror, the 
left arm outstretched; the face is full and ruddy and lighted from 
upper left, the eyes looking out with keenness from behind horn-rimmed 
spectacles. - | | 

Height, 30 inches; width, 25 inches 


Recorded in Century of Loan Exhibitions; Royal Academy, 1906, No. 5 “ 
Royal Academy Exhibition, 1906 
Collection of the Rev. W. H. Wayne 


[Illustrated | 


GEORGE WATSON, P.R.S.A. 
SCOTTISH : 1767—-1837 


pee eee OF AY BOY IN Ad DARK OBLUE (COAT. 


Facing half-left, the head turned towards the spectator, the sitter at- 
tired in a dark blue coat with brass buttons, yellow waistcoat and white 
muslin collar. ‘he delicate oval of the face is kept small by the cropped 
brown hair; the nose is straight and significant, the eyes brown, the un- 
derlip full and resolute. Dark brown background. 


Height, 30 inches; width, 25 inches 


Pie kh Ds@OsWAY, (RA: 


BRITISH: 1742—1821 


Peeve GhORGE BIDDLE OF LYNWOOD, DEVON 


Waist-length portrait, facing the observer, of a lady in a decolleté 
white satin bodice under a silk robe of bluish-green, the right elbow rest- 
ing on a pedestal covered with a crimson cloth. The face is delicately 
modeled by the use of color and extremely fine brushwork to emphasize 
the delicacy of the complexion and lips and the brilliance of the blue 
eyes; the forehead crowned by an elaborate gray coiffure bound with a 
floating veil, before a background of dark sky. 


Height, 30 inches; width, 25 inches 


THOMAS BEACH 
BriTIsH: 1738—1806 


meine ILLJIAM TEMPLER [1793] 


Facing the observer, the head turned to half-right, within an oval; the 
sitter clad in a bright bottle-green coat with brass buttons, yellow giilet 
and white muslin stock. A florid powerful face with aquiline nose, sen- 
sitive mouth and neat white wig. 


Height, 30 inches; width, 25 inches 


Signed at lower left, T. BEACH, p., and dated 1793 
Collection of Captain Templer of Manor House, Paignton, England 


JOHN OPIE, R.A. 


BriTIsH: 1761—1807 


74. MRS. JOHN CARD AND HER SON 


Half-length figure of the mother in white muslin dress, in shadow below 
the waist, the long gray curls of the head resting against the fair hair 
of the boy, who is wearing a black suit with white collar and resting 


his head on her left shoulder. Dark brownish background. 
Height, 30 inches; width, 25 inches 
[Tllustrated | 


ENGLISH SCHOOL 
XVIII Century 


pee eee OF A LADY. WITH A BLOE CLOAK 


Before a brown drapery, a half-length figure slightly inclined to the 
right, robed in white with greenish-blue drapery about the shoulders. 
The brown hair is dressed high in an elaborate coifture. 


Height, 30 inches; width, 25 inches 


JAMES NORTHCOTE, R.A. 
BRITISH: 17460—1831 


Pome eviews iP NRY CHICHELE PLOWDEN 


Romantic half-length portrait of a young man with curling brown hair, 
dressed in a flowing purplish-brown cloak with a white Van Dyke lace 
collar and holding in his left hand a book, the left arm resting on the 
back of a settee, draped in crimson. ‘The carefully modeled face is 
lighted from the left before a dark gray-green background. 


Height, 30 inches; width, 25 inches 


Signed at lower right, JAMES NORTHCOTE, PINXT, and dated 1814 

Exhibited at the Royal Academy, 1815 

Collection of Lady Plowden, dston Rowant House, Aston Rowant, Oxen 
England | 


THOMAS HUDSON 


BRITISH: I'70I—1799 


poli ZAbE TH MARIA ELLIS, 
AFTERWARDS MRS. BURROUGHS 


Before a variable brownish-gray background, the three-quarter length 
portrait of a lady facing the spectator, the head inclined to half-right. 
The sitter is dressed in white satin, with a scarlet cloak edged with 
ermine, the left forearm resting on a pedestal; the graceful lines of the 
head are carried out by the brown hair trailing in a long ringlet over 
the left shoulder. 

: Height, 30 inches; width, 25 inches 


From Thomas Agnew &F Sons, London 


ALLAN RAMSAR ins 


SCOTTISH? 1713-1704 


78. MRS. GEOFFREY SCOTT 


Half-length within an oval and inclined slightly to the right, of a lady 
in the thirties, robed in white satin with a laced corsage and blue 
drapery trailing over the left shoulder. A finely sensitive face with 
brown eyes and straight nose is set off by brown hair combed away from 
the forehead and falling in a ringlet on the shoulder. Gray background. 


Height, 30 inches; width, 25 inches 


[Illustrated | 


GEORGE HENRY HARLOW 
BRITISH: 1787—1819 


79. MRS. MARGARET CARPENTER, 
DAUGHTER OF CAPTAIN GEDDES 


A portrait of brilliant virtuosity and color, closely allied to Lawrence’s 
work and strongly realistic in feeling. The sitter is painted in bust- 
length within an oval; the black dress with its ermine at the shoulders 
is repeated in the large black disk of a picture hat with trailing white 
ostrich feathers, framing the delicate face with its trailing brown curls 
tied with blue ribbon, straight nose and high complexion, the blue eyes 
looking over the left shoulder. 


Height, 32 inches; width, 27% inches 
[Illustrated | 


THOMAS HUDSON 


BRITISH: 170I—1799 


80. PORTRAIT OF A LADY IN A RED DRESS 


A carefully painted portrait at half-length, facing the spectator, the 
sitter clad in a tightly laced flowered red dress with pearls at the 
corsage, lace edging and a grayish shot taffeta drapery about the 
shoulders. The warm yellowish flesh tints of the face and bosom are 
lighted in strong contrast to a gray background, emphasizing the indi- 
viduality of a retroussé nose and intelligent brown eyes. 


Height, 30 inches; width, 25 inches 


Collection of Sir Thomas Aston 


JOHN SELL COTMAN 


BRITISH: 1782—1842 


81. LAMBETH PALACE 


The river is at the left with houses and the Abbey on the farther bank. 
On the cobbled square in the foreground are groups of strollers, the 
square red brick Tudor palace with its castellated roof facing the 
observer and flanked on the right by the gray walls of the chapel, of 
which the lower half is in sunshine. 

Height, 35 inches; width, 48 inches 


Collection of W. Fuller Maitland, Esq., Stanstead Hall, Essex, England 


GEORGE ROMNEY 9 @ GAGs 


BRITISH: 1734—1802 a re 
82. MRS. ANNE DASHW OOD 


The sitter is a lady of middle age, dressed in green taffeta with a black 
taffeta cloak and lace at the arms and neck; the head and black 
hair are tied up in a lace scarf. On a pedestal at the right, before 
a crimson drapery, is a white lap dog. 

No ieee | LI 36 inches; width, 28 inches 
Recorded in Ward &% Robert’s “Romney,” Vol. II, Thornton’s “History of Not- 

tinghamshire,” ed. John Throsby, 1797, Vol. I, page 9 
Romney Exhibition, Grafton Gallery, 1900 
Collection of Major-General R. L. Dashwood 


[Illustrated | 


No. 82. Mrs. ANNE DasHwoop 
[By George Romney | 


JOSIP EL HIGHMORE 
BRITISH: 1692—1780 
83. MRS, SARAH VINCENT. (17444 


Within an oval, the half-length painting, facing the spectator, of a 
young lady in a blue velvet dress tightly laced at the corsage, and 
trimmed with ermine; about the throat a collar and pendant cross of 
pearls, with further pearls in the black hair catching points of light, 
the whole lighted from upper left. 


Height, 30 inches; width, 25 inches 


Dated with inscription at lower left, 1744 
Collection of Rev. Thomas Pocock, East Langdon, Kent, England 


PAUL VAN SOMER 
DutecH: 1576—1632 
84. PORTRAIT OF A LITTLE MAIDEN 


Seen at full-length, standing and turned to the left; dressed in a red 
frock with deep lace collar and cuffs and holding a fan in her right hand. 
Inscribed in upper right hand corner: Aetatis suae 1631. 


Height, 43% inches; width, 37 inches 
From the Collection of Walter 8S. M. Burns 


[Titustrated | 


No. 84. Portrair or A LittLtE MaImpen 
[By Paul van Somer] 


JOSEPH HIGHMORE 


BRITISH: 1692—1780 


8°, PORTRAIT OF A YOUNG LADY IN A PINK DRESS 


Facing the observer and painted at three-quarter length, a young girl 
in a tight waisted pink satin dress with white at the elbows and bosom, 
holding loosely about her waist a greenish-blue drapery resting beneath 
the left forearm on a ledge at the right. The fair hair is set off with 
a sprig of wild flowers. Variable gray background, within an oval. 


Height, 30 inches; width, 25 inches 


SIR GODFREY KNELLER 
BRITISH: 1646—1723 


86. ELIZABETH, COUNTESS OF ORKNEY [1696] 


Facing the observer, and at three-quarter length, the head inclined to 
the left and looking down. A dark blue dress over a white under-bodice 
is draped with a brown silk cloak caught up at the left side by the 
right hand; the shoulders and bosom and the face with its high com- 
plexion are lighted from the left and surmounted by straggling curly 
hair falling gracefully onto the left shoulder. Dark background with 
indicated foliage. 

Height, 50 inches; width, 40 inches 


Dated at lower left, 1696 


Note: “Villiers, Elizabeth, Countess of Orkney [1637-1733], styled ‘Mrs. Villiers,’ accom- 
panied Princess Mary to Holland as maid of honour, 1677; became mistress of the Prince of 
Orange; came to England with Mary, 1689; granted portion of James II’s Irish estates, 
1689 [grant annulled, 1699] poisoned William III’s mind against Marlborough; cast off 
by William, 1694; married 1695 to Lord Hamilton [q.v.] who was 1696, created Earl 
of Orkney.” [Dictionary of National Biography.] 


De LCESSCHOOL 
XVII Century 


Pee re AUGHTER OF PETERK PAUL RUBENS 


Full-length portrait, facing the observer, of a little fair-haired girl 
in a bluish-green and white dress and a white cap with a feather, a 
scarlet drapery hung behind her at the right, her right hand beside a 
heap of wild flowers on a table covered with a scarlet cloth. Brown 
background; in the upper left hand corner the escutcheon of Rubens. 


Height, 37% inches; width, 29 inches 
Dated at upper left, 1631 


[Illustrated | 


SIR PETER LELY 


FLEMISH: 1618—1680 


88. SIR RICHARD NEWDIGATE, BART, 


Head and shoulders portrait within a scrolled oval cartouche, of a 
man of middle age with long brown hair, in profile to the left, the 
head turned towards the spectator. The coat is brown, over a black 
satin waistcoat with white lace jabot. Dark background. 


Height, 30 inches; width, 25 inches 
Collection of Charles W. W. Dawes, Esq. 


FRANCIS COTES, R.A. 


BRITISH: 1726—1770 


89. MRS. ARNOLD OF SHENLEY, NEE MARY BICKNELL 


Half-length, facing the observer, of a lady in white muslin dress, the 
left hand carried up to the face, the elbow resting on the arm of a 
settee, which is covered in golden-yellow material. A heavy coifture 
of mouse-colored hair is dressed with black feathers and a veil and 
painted before a gray background broken by a green curtain draped 
at the right. 

Height, 30 inches; width, 25 inches 


SIR WILLIAM BEECHEY, R.A. 
BRITISH: 1753—1839 


go. THE MISSES BANNISTER 


Interior before a brown curtain, with a glimpse of landscape at the 
right. At a table are seated two sisters, one in a white dress in full 
profile to the right, the other in brown, facing the observer and hold- 
ing a book of music. Over the chair behind the first, is draped a green 
and crimson cloak. Both have high complexions, brown eyes and curly 
chestnut hair, modeled softly against a background of delicately vary- 
ing luminosity. 

Height, 56 inches; width, 45 inches 


With letter from the late Mr. Algernon Graves, authenticating sitters and painter 


[Illustrated | 


No. 90. THe Misses BANNISTER 
[By Sir William Beechey | 


WILLIAM OWEN, R.A. 
BRITISH: 1769—1825 


ot. A COUNTRY (GIKE 


Seated before a wooden palisade surmounted by foliage and the bole 
of a tree is a young girl, painted at three-quarter !ength facing half- 
left and clad in a drab homespun dress with an indigo-blue cloak over 
the shoulder, the face framed in a straw bonnet. On her lap the 
sitter is holding apples and pears taken from a basket at her knee 
Ons theslert: 

Height, 38 inches; width, 30 inches 


THOMAS HUDSON 


BRITISH: 170I—1799 


92. MRS. WESTERN, NEE ELIZABETH HOLKES [1763] 


Painted at three-quarter length, facing the spectator, before a land- 
scape background with foliage at left and right and a warmly-tinted 
sky. [he subject is dressed in white satin with an indigo-blue velvet 
cloak trimmed with ermine about the shoulders, the right forearm rest- 
ing on a ledge; the face, gray eyes and light brown hair form a grada- 
tion of pastel tones warmed by the background. 


Height, 50 inches; width, 40 inches 
Collection of Major M. C. Dormer, a descendant 


SIR GODFREY KNELLER 
BRITISH? 1646-—1723 


93. LADY LISBURN, SECOND WIFE 
OF LORD LISBURN [1676] 


Before a background of wild landscape and dark clouds is seated a 
lady dressed in a brown robe with white muslin sleeves and an indigo- 
blue drapery over the right shoulder, painted at three-quarter length, 
her right arm resting on a stone pedestal. An expression of maturity 
in the dark blue eyes and set lips is belied by the youth of the carriage 
and the light blond hair falling in waves over the right shoulder. 


Height, 50 inches; width, 40 inches 
Signed on pedestal at left, G. KNELLER FEcIT, and dated 1676 


WILLIAM MARLOW 


BRITISH: 1740—1813 


peeps OF NAPLES 

A broad stretch of water seen from the shore, with walls at right 
and left linked by a bridge. In the right middle distance, a tangle of 
masts of sailing vessels moored at the quai; at the left the line of 
buildings fronting the shore curves round towards the peaks of Vesuvius, 
pouring slow smoke into a summer sky. 


Height, 26 inches; width, 52 inches 


Collection of the Duke of Grafton, K.G. 


WILLIAM WISSING 
BRITISH: 1656—1687 


95. MRS. KNOTT 


The background is the dark massive trunk of an oak tree, lighted by a 
flowering shrub at the left and permitting sight of a village in the 
right middle distance by the shore of a lake. The subject, painted 
almost at full length, facing the observer, is dressed in a blue gown 
with white sleeves, a crimson drapery thrown loosely upon it and sup- 
ported on the back of the seat by her left elbow. The bosom and face 
are strongly lighted from the left, their outlines softened by a brown 
veil shrouding the short brown hair. 


Height, 50 inches; width, 40 inches 
Note: A variation of this portrait by Wissing hangs at Hampton Court Palace. 


Signed at lower right, W. WissING, fecit 
From the collection at Doddington Hall, Northants, England 


JOHN S. COPLEY 
BRITISH: 1737—1815 


96. LORD MANSFIELD 


Seated figure of the jurist in black robes edged with scarlet, painted at 
three-quarter length facing half-left, the right hand raised in gesture. 
A red drapery partly veils a pillar at the left, behind which can be 
seen the dome of St. Paul’s, pointing into the blue sky. 


Height, 50 inches; width, 40 inches 


GIOVANNI PAOLO PANNINI - 


ITALIAN: 1691I—1764 
97. CLASSIC RUINS AND FIGURES 


At the extreme right the remains of a Corinthian temple with a statue, 
an urn and figures of peasants, one seated, nude, on the masonry at the 
edge of the water which flows at the foot of the central steps. Behind 
an obelisk is an equestrian statue and the remains of an lonic colon- 
nade with a peristyle in the background. | 


Height, 45 inches; width, 44 inches 
Collection of the Rev. F. G. Saunders of Grassmere, Bath, England 


J. VAN DER BANCK 
DutcH:, 1694-1729 


98. LADY AFFLECK 


A portrait at three-quarter length, facing the spectator, of a lady in 
a dark blue velvet costume with white sleeves and yoke trimmed with 
lace, a scarlet drapery falling away from the left forearm behind the 
body; on her lap are a few scattered stems of pinks. The small oval 
of a face is set in long brown hair, the ringlets realistically breaking 
the line of the neck. Gray-green background of clouds and foliage. 


Height, 50 inches; width, 40 inches 


SIR PETER LELY 


FLEMISH 1618-1680) | 


99. H. M. MARY OF MODENA 


Purplish-brown background painted en camaieu with nude putti; a 
heavy black velvet drapery at the right. A carefully finished portrait 
of the sitter at three-quarter length, with finely drawn face, is posed 
in the easy lines of a brown silk robe with a deep blue drapery in 
folds over the right shoulder, the right arm resting on a ledge, the 
left hand fondling a spaniel. ‘The thoughtful face has brown eyes, 
full red lips and finely curling dark brown hair falling on to the white 
shoulders. 

Height, 50 inches; width, 40 inches 


[Lllustrated | 


No. 99. H. M. Mary or MopEna 
[By Sir Peter Lely | 


NICOLAS MAES 
DutTcH: 1632—1693 


100. PORTRAIT OF A PRINCE OF BAVARIA 


Before a dark background of woodland, the full-length figure of a fair- 
haired child in a pink and yellow dress with a grayish-black drapery 
and red velvet cap with flowing white feathers, a quiver slung over 
his right shoulder; in the left hand he holds a bow, in the right an 
arrow, while beside his right foot is leaping a brown and white King 


Charles spaniel. 
Height, 4814 inches; width, 4034 inches 


Collection of the Right Hon. Lord Middleton, Wollaton Hall, Nottingham 
England 


[Illustrated | 


SERS PE PE Ry URI 


FLEMISH: 1618—1680 
tol. SIR ROGER TWISDEN 


Three-quarter length standing figure of a gentleman in a plum-colored 
dress with a dull red-brown drapery falling over the left shoulder and 
caught up by the right hand at the hip; the left forearm rests on a 
pedestal at the right following the vertical lines of the wall and back- 
eround, with its V of dull green drapery supporting the head. A stout 
florid face with brown eyes, powerfully modeled between the softly 
flowing brown of the long hair. 


Height, 50 inches; width, 40 inches 


[Companion to the following | 


SIR PETER LELY 


FLEMISH: 1618—1680 


102. LADY TWISDEN, NEE MARGARET 
MARSHAM OF THE ROMNEY FAMILY 


Seated figure in flowing brown robes, with a bluish-green wrap draped 
over the right shoulder, the sitter facing the observer and caressing 
with her left hand a toy spaniel. About the neck is a collar of pearls; 
the face with its full red lips is set off by curly brown hair seen against 
a brown background, decorated en camaieu with cherub figures and 
hung with a black velvet drapery at the right. 


Height, 50 inches; width, 40 inches 


[Companion to the preceding | 


ALLAN RAMSAY, R.A. 


SCOTTISH: 1713—1784 
103. LADIES OF THE GAGE FAMILY 


A pastoral after the French manner. In a landscape with an old oak 
at the left are two young girls in bergére costumes, one standing at 
the right and clad in a white dress, her sister in a pink satin robe decked 
with flowers, and with rustic hat, holding a crook. At her feet is a 
white lamb with a collar of blossoms. 


Height, 50 inches; width, 46 inches 


Collection of Lady Arthur Paget 


[Illustrated | 


SIR PETER. LELY 


FLEMISH: 1618—1680 


104. LOUISE, DUCHESS OF PORTSMOUTH 


Portrait facing half-left, almost at full-length, before a brown back- 
ground with a brown curtain at the left and a fluted pillar at the right 
having a socle with sculptured figures of putti. The sitter is clad in a 
fawn and white silk dress with a blue wrap, the left arm resting on the 
plinth, the right hand holding a wreath. The neck is decked with pearls, 
the long brown hair falling in ringlets over the shoulders. 


Height, 50 inches; width, 40 inches 


No. 103. Lapres OF THE GAGE FAMILY | 
[By Allan Ramsay | 


SIR HENRY RAEBURN, KA; 


SCOTTISH : 1756—1823 


105, THE RT. HON. ROBERT BLAIR OF AVONTOUR 


Vigorous three-quarter length portrait in black coat, waistcoat and 
breeches with trailing white cravat; facing half-left. The right hand 
rests on a table covered with parers, a mace and the end of a red 
drapery. 


Height, 50 inches; width, 40 inches 


Recorded in “Raeburn” by Armstrong, page 96, and “Sir Henry Raeburn” by 
Grieg, pages 39 and 44 

Collection of J. A. Maconochie Welwood, Esq. = Anson pela, 23 yen 'qi3 

Engraved in mezzotint by James Heath (rsh) G SOG Seat & Fre. 


[Illustrated as Frontispiece | 


MICHAEL DAHL 
BRITISH: 1656—1743 


106..PORTRAIT OF A LADY IN A YEREO) Sia 


Before a quadrangular brown column and plinth and trees suggested 
in the right background, the three-quarter length figure of a young 
lady in a golden-yellow satin robe edged with white, passing to the 
right, a loose drapery of bluish-green floating from behind the left 
shoulder and held by the left hand, the right pointing across the body. 
A full face with straight nose and parted lips is crowned by a wealth 
of brown hair dressed high above the head. 


Height, 50 inches; width, 40 inches 


SIR GODFREY KNELLER 
BRITISH: 1646—1723 


107. MISS FAULKNER 


In an umbrageous landscape, with a vista of trees and sky at the left, 
is seated a young woman robed in gray satin, her left elbow resting 
on a grassy mound at the right, a rustic straw hat trimmed with flowers 
on her lap. The long hair curls over the right shoulder framing the 
neck and bosom, the brown eyes looking steadfastly towards the 
observer. 

Height, 50 inches; width, 40 inches 


ALLAN RAMSAY, R.A. 


ScoTTIsH: 1713—1784 


108. THE MUSIC LESSON 


Group painted at half-length before a brown landscape background. 
At the right is a fair-haired lady in a pink satin décolletage trimmed 
with lace, playing on a guitar and looking over her right shoulder at 
the music held by her instrucctor, who is seated beside her and dressed 
in a gold-embroidered black coat and white lace gilet. 


Height, 40 inches; width, 50 inches 


HUGH BARRON 
BRITISH: 17460—I791 


PoompOmeRalyT OF AN OFFICER 


Bust portrait to the right, of an officer in a braided red coat with 
black collar and white wig, surmounted by a pointed helmet with black 
plume. Background of dark clouds. 


Fleight, 30 inches; width, 25 inches 


ENGLISH SCHOOL 
XVIII CENTURY 


110. PORTRAIT OF A LADY IN WHITE, 
HORDING ASBOOK 


Seated figure facing the left and painted at waist-length; background 
of trees and foliage at the left. The sitter is dressed in white with a 
drab taffeta drapery over the right shoulder, her clasped hands resting 
on a book. 

Height, 30 inches; width, 25 inches 


Collection of Leopold Solomon, Esq., Dorking, England 


ALLAN RAMSAY 
SCOTTISH: 1'713—1784 
111. PORTRAIT OF A LADY IN A WHITE DRESS (1743) 


Seated figure, painted at knee-length and facing half-right, the head 
turned towards the spectator; clad in a white satin dress with laced 
corsage, a dark blue scarf trailing over her left shoulder. In her hands 
she holds a garland of flowers. Dark reddish background with foliage. 


Height, 44 inches; width, 35% inches 


Signed at lower left, A. RAMSAY, and dated 1743 


FRENCH SCHOOL 


Circa 1900 


112. PORTRAIT OF A YOUNG GIRL 


Against a colorful greenish-brown background, the figure of a young 
lady seated at full-length and wearing the costume of twenty years ago; 
round hat with black veil, long décolleté dress and voluminous flounced 


wrap, black shoes and stockings. 
Height, 18 inches; width, 14 inches 


#4 END OF THE SALE fe 


7 2 


ee ‘LIST OF ARTISTS REPRESENTED 


AND THEIR WORKS 


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Pip tsOReAR TIS ls REPRESEN PEED 
AND THEIR WORKS 


CATALOGUE 
NUMBER 

Pere ice RK, |. A. 

Portrait of a Lady 60 
BARDWELL, THomMAs 

Horteaieo: the Artists Daughter [1757 | 67 
BARKER OF BATH 

Landscape, Newport 64 
BARRON, Hucu 

Portrait of an Officer 109 
BEACH, THomas 

Sir William Templer [1793] a 
BEECHEY, Sir WittiaMm, R.A. 

The Misses Bannister go 
BOLTRAFFIO, Giovanni ANTONIO 

Madonna and Child 45 
BOUDIN, Louis EUGENE 

La Cote de Camaret, Near Brest 23 

Harbor Scene, Normandy 29 
BOUGHTON, Georce H., R.A. 

Winter in Brabant, Holland 15 
BRUGES SCHOOL | 

Madonna, Child and Saints 46 
CLAYS, Paurt JEAN 

Barges on the Scheldt 28 
CONDER, CHARLES 

Brighton 30 


COPLEY, Joun 5. 
Lord Mansfield 96 


COSWAY, RicHarp, R.A. 
Mrs. Hussey, née Jennings 


Mrs. George Biddle of Lynwood, Devon 
COTES, Francis, R.A. 


Miss Summerville 


Mrs. Arnold of Shenley, née Mary Bicknell 


COTMAN, JOHN SELL 
Lambeth Palace 


DAHL, MicHarEL 
Portrait of a Lady in a Yellow Dress 


DAUBIGNY, CuHarRLes FRANCOIS 
Sand Dunes 
The Harbor 


DE BOCK, THEOPHILE 
Low Tide 


DEGAS, EDGAR 
Dancers at the Bar 


DIETERLE, MARIE 
Cattle and Landscape 


DINET, ETIENNE 
Arab Women and Children 


DUTCH, SCHOOL 
The Daughter of Peter Pau' Rubens 


ENGLISH SCHOOL 
Portrait of a Lady with a Blue Cloak 
Portrait of a Lady in White, Holding a Book 


FAED, Tuomas, R.A. 
Portrait of a Young Lady in a White Robe 


FORTUNY, Mariano 


Environs de Tangers 


FRENCH SCHOOL 
Portrait of a Young Girl 


GUILLAUMIN, ARMAND 
Landscape 


CATALOGUE 
NUMBER 


66 
fee 


68 
89 


SI 


say | 


110 


AS 


112 


CATALOGUE 
NUMBER 
HALL, Harry 
The Flying Dutchman 42 


HARLOW, GerorGE HENRY 
Mrs. Margaret Carpenter, Daughter of Captain Geddes 79 


HARPIGNIES, Henri Josepu 


River Scene 24 


HIGHMORE, JosEeru 
Mrs. Sarah Vincent [1744 | 83 
Portrait of a Young Lady in a Pink Dress 85 


HILDER, RiIcHArp 


Landscape with a Fisherman 16 


HOLLAND, JAmes 


Venice I 


HUDSON, THomas 


Elizabeth Maria Ellis, Afterwards Mrs. Burroughs 77 
Portrait of a Lady in a Red Dress 80 
Mrs. Western, née Elizabeth Holkes [1763 | 92 


INNESS, Georce, N.A. 


Summer Sunshine and Shadow IO 


KNELLER, Sir GopFrrREY 


Portrait of a Youth in a Blue Coat oS 
A Lady of the Clitherow Family 61 
Elizabeth, Countess of Orkney [1696] 86 
Lady Lisburn, Second Wife of Lord Lisburn [1676] 93 
Miss Faulkner 107 
KNIGHT, Aston 
Sunset at Indian Neck, Connecticut II 
Landscape with Flowering Trees 12 


LACHMAN, Harry B. 
Bookstalls on the Quai, Near Notre Dame 6 
Le Quai de la ‘Tournelle 7 


LAWSON, Ernest, N.A. 
River Landscape 14 


CATALOGUE 
NUMBER 


(CR IAYS SIRBEE DER 


Nell Gwynne 49 
Portrait of the Actor Kynaston as a Youth So 
Sir Richard Newdigate, Bart. 88 
H. M. Mary of Modena 99 
Sir Roger Twisden IOI 
Lady Twisden, née Margaret Marsham of the Romney 
Family 102 
Louise, Duchess of Portsmouth 104 


MAES, Nicolas 


Portrait of a Prince of Bavaria 100 


MARLOW, WILLIAM 
The Bay of Naples 94 


MARTIN, Davip 
Mrs. John Clark 3 63 


MARTIN, Henri G. 
The Bridge, St. Medard 39 


MINOR, RoperT CRANNELI, N.A. 
The Fish-Hawk’s Nest 9 


NICOL, Erskine, A.R.A. 
“Steady !”’ 2 


NORTHCOTE, JAmes 
William Henry Chichele Plowden 76 


O'CONNOR, James A. 
Landscape 50 


OPIE, Joun, R.A. | 
Mrs. John Card and Her Son 74 


OWEN, Wittt1am, R.A. 
A Country Girl | gl 


PADWIGK Ba Et 
Ships Drying Their Sails 34 


PANNINI, Giovanni PaoLo 


Classic Ruins and Figures 


RAEBURN, Sir Henry, R.A. 
The Rt. Hon. Robert Blair of Avontoun 


RAMSAY, Atran, R.A. 
Mrs. Geoffrey Scott 
Ladies of the Gage Family 
The Music Lesson 
Portrait of a Lady in a White Dress (1743) 


REYNOLDS, Sir Josuua, P.R.A. 
Dr. Thomas Barnard, L.L.D., F.R.S., Bishop of Killaloe 
Anthony Chamier, M.P., F.R.S. 
Portrait of the Artist in Spectacles 


ROMNEY, GrorGE 
Robert Raikes, Esq. 
Mrs. Anne Dashwood 


SANDYS, FREDERICK 
Lady Holding a Rose 
Isolde 


SARTAIN, WittiiaM, A.N.A. 
An Algerian School 


SHAW, WILLIAM 
| Dutchess [1757 | 
Matchem [1757 | 


STARK, ARTHUR JAMES 
Wild Ducks 


SINGLETON, Henry, R.A. 
The Assault and Taking of Seringapatam [1792 | 
Surrender of the Two Sons of Tippoo Sultaun at 
Seringapatam [1792] 


SPEED, HaAro.Lp 
The Silent Place 


CATALOGUE 
NUMBER 


SHI 


105 


STEVENS, ALFRED 
Moonlight 


Beach Scene 


SULLY, THOMAS 
Miss Violet Thornton 


THAULOW, Frits 
Winter 


TONGE, RoBertT 
Spate on the River Liffey, at Leixlip, near Dublin 


TURNER, DANIEL 
Westminster Bridge 
View of Westminster, from the Archbishop’s Walk, 
Lambeth 


UTRILLO, Maurice 
Street Scene Under Snow, Paris 


VAN DER BANCK, J. 
Lady Affleck 


VAN GOYEN, JAN 
Castle by a River 


VAN MARCKE, EmiLe 
Landscape with Cattle 


VAN SOMER, PAUL 
Portrait of a Little Maiden 


VOLLON, ALEXxIs 
The Spinning Wheel 


VON LENBACH, FRANZ 
Marianne, Daughter of the Artist 


WATSON, GeorcE, P.R.S.A. 
Portrait of a Boy in a Dark Blue Coat 


WEATHERBY, R. 
Capri Peasant Girl 


CATALOGUE 
NUMBER 


65 


31 


48 


56 


Mi 


32 


98 


51 


40 


84 


38 


36 


ph 


26 


ep. 


. 


xo | 
lassic Ruins [1651] 


CATALOGUE 
NUMBER 


62 


18 


95 


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HE cAmerican Art Association, Inc. will 
furnish appraisements, made by experts under 
its direct supervision, of art and literary property 
and all personal effects, in the settlement of estates, 
for inheritance tax, insurance and other purposes. 
The Association is prepared to supplement 
this appraisal work by making catalogues of pri- 
vale libraries, of the contents of homes or of entire 
estates, such catalogues to be modeled after the fine 
and intelligently produced sales’ catalogues of the 
Association. Upon request the cAssoctation 
will furnish the names of many trust and insurance 
companies, executors, administrators, trustees, 
attorneys and private individuals for whom the 
cAssociation has made appraisements which not 
only have been entirely satisfactory to them, 
but have been accepted by the United States 
Estate Tax Bureau, the State Tax (ommission 
and others in interest. 


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